When he returned the call to the residency coordinator, he surprised himself by asking for one month instead of the full term: long enough to taste new light, short enough to assure the people he was rooted with that he wouldn’t disappear. He emailed Stefan about the exhibition, suggesting a title: “Tilburg as Palimpsest.” The word felt right—layers visible, traces of what had been written over still legible if one knew how to look.
They planned then, with a practical efficiency that contrasted the emotional gravity of their talk: a tentative date, a list of names to call for contributions, a small budget pulled from gigs and community arts grants. In the clarity that comes after truth is spoken, both men felt the anxiousness they’d brought with them fall into a different shape—something they could work with. youri van willigen stefan emmerik uit tilburg
“You heard about the redevelopment on the Oude Warande?” Stefan asked, breaking the easy silence. When he returned the call to the residency
Youri peered. “No. But she looks like someone who might say the things you need to hear.” In the clarity that comes after truth is
Youri felt something shift. The pull of leaving remained, but the idea of creating a moment like this—rooted in Tilburg, layered with the city’s imperfect sounds—thrummed against the notion of escape. He admitted as much. “I keep thinking the grass will be greener. Maybe I haven’t learned how to water this patch.”
Stefan clasped his shoulder. “Whatever you choose,” he said, “don’t let the decision be about fear of missing out. Let it be about what you want to come back to.”